凤凰大视野五四人物志之胡适篇。

凤凰大视野五四人物志之胡适篇。

胡适说自己愿“为国家做一个诤臣，为政府做一个诤友”，称“做了过河卒子，只能拼命向前”。一个诤友，胡适与蒋介石的关系似乎也就尽在不言中了。然而，事情并不是一桶纯净水那般清澈，他们也是经历了曲曲折折，才逐渐走到一起的。

胡适说自己愿“为国家做一个诤臣，为政府做一个诤友”，称“做了过河卒子，只能拼命向前”。一个诤友，胡适与蒋介石的关系似乎也就尽在不言中了。然而，事情并不是一桶纯净水那般清澈，他们也是经历了曲曲折折，才逐渐走到一起的。

By presenting archive footage along with his own life story, filmmaker Gabriele Salvatores mediates an illustration of the economic boom in Italy during the 1960s.

1960 is a home movie recorded as a super 8mm logbook. Based upon Diário de Bordo by Fernando Távora, its goal is to revisit the journey the architect made in 1960.

When the remains of an apartheid-era policeman are discovered 60 years after he went missing, a retired singer revisits her past to help with the investigation. But how much does she know, and what is she holding back?

Maria Schell (Sophie) and Paul Scofield (Alexander) turn in magnificent performances as former patients of Freud who meet for the first time in Vienna in 1970. Sophie convinces a wary Alexander to meet after she sees him interviewed on TV about his experience with Freud. In their one-day encounter, in a reluctant Alexander's cluttered apartment, the two sit down to talk. 　　Sophie is now a divorced New Yorker of nearly 70, Alexander is a lonely widower; both still harbor resentment of Freud's treatment of their youthful "problems." Their personal narratives, shown in flashback, are poignant; Freud is an unseen but vivid presence in the therapy scences.